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Modern Poetry with Professor Langdon Hammer | |
| About the Course This course covers the body of modern poetry, its characteristic techniques, concerns, and major practitioners. The authors discussed range from Yeats, Eliot, and Pound, to Stevens, Moore, Bishop, and Frost with additional lectures on the poetry of World War One, Imagism, and the Harlem Renaissance. Diverse methods of literary criticism are employed, such as historical, biographical, and gender criticism. view class sessions >> Course Structure: This Yale College course, taught on campus twice per week for 50 minutes, was recorded for Open Yale Courses in Spring 2007. | About Professor Langdon Hammer Langdon Hammer, chairman of the Department of English at Yale, earned his B.A. and Ph.D. from Yale. He is the author of Hart Crane and Allen Tate: Janus-Faced Modernism and editor of O My Land, My Friends: The Selected Letters of Hart Crane and the Library of America's, Hart Crane: Complete Poems and Selected Letters. A Guggenheim Fellow, he is currently at work on a biography of the poet James Merrill. His reviews of new poetry and literary criticism regularly appear in The New York Times Book Review and other magazines, and he is poetry editor of The American Scholar. |
ENGL 310: Modern Poetry (Spring, 2007)
Syllabus
Professor:
Langdon Hammer, Professor of English, Chair, Department of English, Yale University
Description:
This course covers the body of modern poetry, its characteristic techniques, concerns, and major practitioners. The authors discussed range from Yeats, Eliot, and Pound to Stevens, Moore, Bishop, and Frost with additional lectures on the poetry of World War One, Imagism, and the Harlem Renaissance. Diverse methods of literary criticism are employed, such as historical, biographical, and gender criticism. Broad thematic concerns are also presented, including the existence or non-existence of God, the representation of a multi-vocalic society, the use and depiction of history, and Modernism's complicated relationship with its literary predecessors. Literary Modernism is frequently treated alongside other forms of Modernism, especially painting, sculpture, photography, and architecture, in order to convey a wider sense of the movement and the variations within it.
Texts:
Ramazani, Jahan, Richard Ellmann, and Robert O'Clair, eds. The Norton Anthology of Modern and Contemporary Poetry. Vol. 1, Modern Poetry. New York: W. W. Norton & Company, 2003.
RIS Course Packet
Bishop, Elizabeth. The Complete Poems, 1927-1979. New York: Farrar, Straus, Giroux, 1983.
Pound, Ezra. Selected Poems. New York: A New Directions Paperbook, 1957.
Moore, Marianne. Complete Poems. New York: McMillan Publishing Co., Penguin Books, 1982.
Bishop, Elizabeth. The Collected Prose. Edited, with an introduction by Robert Giroux. New York: Farrar, Straus, Giroux, 1984.
Eliot, T. S. The Waste Land. A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound. Edited by Valerie Eliot. New York: A Harvest Special, Harcourt Brace Jovanovich, Inc., 1971.
Simon, Marc, ed. Complete Poems of Hart Crane. London: Liveright, 2000.
Stevens, Wallace. The Collected Poems of Wallace Stevens. New York: Vintage Books, 1982.
Stevens, Wallace. Opus Posthumous. Edited, with an Introduction, by Samuel French Morse. New York: Vintage Books, 1982.
Mendelson, Edward, ed. W. H. Auden. Selected Poems. New Edition. New York: Vintage Books, 1989.
Finneran, Richard J., ed. The Collected Poems of W. B. Yeats. A New Edition. New York: Macmillan Publishing Company, 1983.
Lathem, Edward Connery, ed. The Poetry of Robert Frost. The Collected Poems. New York: Henry Holt and Company, 1979.
Requirements:
Regular attendance at lecture and in discussion section; some informal writing and exercises; midterm exam in class; two papers (5 and 7 pages); and a two-hour final exam.
Grading:
Paper 1 (5pp.): 15%
Midterm examination: 15%
Paper 2 (7pp.): 30%
Final examination: 30%
Discussion section attendance and participation: 10%
ENGL 310: Modern Poetry
Class Sessions
Click session titles below to access audio, video, and course materials.
ENGL 310: Modern Poetry (Spring, 2007)
Downloads
Course Pages:
The file below contains all of the course pages from this course andmay be downloaded for offline use. The file is offered in .zip format;you must have access to a suitable decompression application to unzipthe contents before use. After decompressing the file, please click"start.html" to launch.
[ download all course pages ] - size 1.1 MB - filetype application/zip
Course Media:
Audio and video files for this course may be downloaded in two ways: iTunes U or the links below for individual files.
To download all tracks from iTunes U, click the "Get Tracks" button on any course page in the iTunes U interface. If the download is interrupted, click "Resume" to continue the download process. You must have Apple's iTunes software installed on your computer to download from iTunes U.
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To download individual media files from the course, please click the links in the Class Sessions section below. Apple QuickTime 7.2 or higher is required to view the videos, while the mp3 files will play in any mp3-compatible device/player.
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