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本頁翻譯進度

燈號說明

審定:無
翻譯:任汝芯(簡介並寄信)
編輯:朱學(簡介並寄信)

每週心得報告
Weekly Reaction Paper

每週針對課堂上觀賞的電影,必須繳交一份 1-2 頁的心得報告,交件時間為影片觀賞後次週,報告總篇數至少為學期全部課程數減一;報告內容應參考當週閱讀材料及課堂討論,發表學生自己對該部電影的分析與論點。
A written 1-2 page reaction paper on the films viewed in each class will be due each week. The papers are due the week after the viewing. Students will be allowed to skip one reaction paper over the course of the term. The reaction papers should convey the student's own analysis and views of the film while also referencing that week's readings and class discussion.

除非因病或其他檢附證明文件的緊急狀況,逾期報告一律拒收,唯請務必於交件日期前與導師聯絡。
No reaction papers will be accepted late unless a student is ill or there is some other documented emergency. Students must contact the instructor before the paper's due date.


書面報告
Essays

請就下列主題擇一撰寫一份 5-7 頁的報告,就所要討論的電影,引用課堂上的書面資料及個人觀點,發揮闡論。
Please write a 5-7 page paper on one of the following. Draw on written materials from the class as well as your own observations of the films you will be discussing.

  1. 法國導演尚.胡許的作品 (或稱「紀實電影」) 和以美國為中心之直接電影倡導者的作品,兩者的異同為何?除了拍攝的創意與理論,甚至在電影本身的架構上,他們如何表現這些異同?他們各自希望捕捉什麼樣的「真實」?
    What are the parallels and differences between the work of French director, Jean Rouch, (sometimes referred to as "cinema verite") and the work of direct cinema proponents centered in the United States? How are these parallels and differences expressed, not only in terms of their ideas and theories of filmmaking, but in the construction of the films themselves? What sorts of "truth" does each hope to capture?

  2. 請就本課程目前所論以電影記錄文化的各種方式,撰文發揮闡述,您認為這些導演將其動機發揮到何程度?他們如何藉由選材與影片風格表現不同的見地?某些特定觀點是否更有助益?
    Write an essay exploring the various ways that culture has been documented on film in this class thus far. What range of motivations have been expressed by the filmmakers you have seen? How do the different viewpoints of the filmmakers find expression in their choice of subject as well as filmstyle? Are there certain perspectives you feel to be more helpful than others?

 
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