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審定:無
翻譯:郭詠寧
編輯:朱學(簡介並寄信)

課程單元 閱讀資料
I. 核心思想
Core Concepts
1 課程介紹:媒體研究的比較入門(方法):說故事
Introduction to the Course: A Comparative Approach to Media Studies: Storytelling Across Media
媒體眼中”想像中的社會關係”
"Imaginary Social Relationships" through Media
透過不同的文化與傳媒的敘述
Narratives across Different Cultures and Media
2 媒體研究:一門跨學科的領域
Media Studies: An Interdisciplinary Field
科技和其含義:精英文化與世俗文化的觀念
Technology and Meaning: Concepts of "High" and "Low" Culture
了解媒體: 人的延伸” (媒體工具新論) Marshall McLuhan著, Lewis H. Lapham作序, 及pp. 3-47 Cambridge: MIT Press,1999年出版
McLuhan, Marshall. Understanding Media: The Extensions of Man. Introduction by Lewis Lapham. Cambridge: MIT Press, 1999 and pp. 3-47.

Mukerji, Chandra, 與 Michael Schudson 合著,「概論:對通俗文化的再思考」,摘自《對通俗文化的再思考:文化研究的當代觀點》,編輯:C. Mukerji, 與 M. Schudson. Berkeley: University of California 出版社。1991年。第1-8頁。

Mukerji, Chandra, and Michael Schudson. "Introduction: Rethinking Popular Culture." In Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies. Edited by C. Mukerji, and M. Schudson. Berkeley: University of California Press, 1991. Pp. 1-8.

Kellner, Douglas著, 「文化研究, 多元文化融合論與媒體文化」 收錄於 《媒體中的性別, 種族與階級》Gail Dines與Jean Humez編輯, Thousand Oaks, Ca.: Sage, 1995出版, Pp. 5-17.
Kellner, Douglas. "Cultural Studies, Multiculturalism and Media Culture." In Gender, Race and Class in Media. Edited by Gail Dines, and Jean Humez. Thousand Oaks, Ca.: Sage, 1995. Pp. 5-17.

核心定義: McLuhan
Core Definitions: McLuhan


Marshall McLuhan官方網站
The Official Marshall McLuhan Website


Marshall McLuhan在連線(Wired)雜誌中的檔案
Wired Magazine's Marshall McLuhan Archive
3 視聽教室/討論課程:展示和講述課 (媒體物品) –詳情見講義
Lab/Discussion Section: Show and Tell (Media Artifacts) - See Handout
註:討論課程將加長1.5小時
Note: Sections meet in extended session for 1.5 hours.
4 媒體研究方法: 商品的概念 - 法蘭克福學派與伯明罕學派
Approaches to Studying Media: The Concept of Commodity - The Frankfurt School and the Birmingham School
關於媒體產權和媒體掌控的問題
Questions of Ownership and Control of Media
多元文化面臨的挑戰
The Challenge of Cultural Pluralism
Horkheimer, Max, and Theodore Adorno著, 「文化工業: 欺騙大眾的啟蒙運動」收錄於 《啟蒙運動的辨證》 中, New York: Continuum, 1995出版, Pp. 120-167
Horkheimer, Max, and Theodore Adorno. "The Culture Industry: Enlightenment as Mass Deception." In The Dialectic of Enlightenment. New York: Continuum, 1995. Pp. 120-167.

Debord, Guy著, “The Commodity as Spectacle” 收錄於 “演劇社會 中”, Detroit: Black and Red Books, 1977出版, Pp. 1-18 and 42
Debord, Guy. "The Commodity as Spectacle." In Society of the Spectacle. Detroit: Black and Red Books, 1977. Pp. 1-18 and 42.

Williams, Raymond著, 「文化」 收錄於 《關鍵字: 文化與社會的字彙》Oxford: Oxford University Press, 1985出版
Williams, Raymond. "Culture." In Keywords: A Vocabulary of Culture and Society. Oxford: Oxford University Press, 1985.

Hall, Stuart著, Stuart Hall等人編輯 “譯碼 / 解碼” 收錄於 “文化,媒體,語言”London: Hutchinson, 1980年出版
Hall, Stuart. "Encoding/Decoding." In Culture, Media, Language. Edited by Stuart Hall, et al. London: Hutchinson, 1980.
5 套用架構:廣告
Applying the Frameworks: Advertising
Jhaly, Sut著, 「影像式文化: 廣告與流行文化」 收錄於 《世界與我》Washington, D.C.: Washington Times Corp., 1990年出版
Jhally, Sut. "Image-Based Culture: Advertising and Popular Culture." In The World and I. Washington, D.C.: Washington Times Corp., 1990.

Kellner, Douglas著, “Reading Images Critically: Towards a Postmodern Pedagogy” 教育期刊第170期, 第三號 (1988年版)
Kellner, Douglas. "Reading Images Critically: Towards a Postmodern Pedagogy." Journal of Education 170, no. 3 (1988).

Goldman, Robert著, “Constructing and Addressing the Audience as Commodity” 收錄於”閱讀廣告”中, London: Routledge, 1992年出版
Goldman, Robert. "Constructing and Addressing the Audience as Commodity." In Reading Ads Socially. London: Routledge, 1992.

Williams, Raymond著, 「廣告:魔法遊戲」 收錄於《物質主義與文化》 中London: Verso, 1980年出版
Williams, Raymond. "Advertising: The Magic Game." In Problems in Materialism and Culture. London: Verso, 1980.

Schudson, Michael著,「新消費模式的出現:香菸的研究」,收錄於《廣告,艱難的說服: 廣告對美國社會影響的不確定性》中New York City: Basic Books, 1986年出版, Pp. 178-208
Schudson, Michael. "The Emergence of New Consumer Patterns: A Study of the Cigarette." In Advertising, The Uneasy Persuasion: Its Dubious Impact on American Society. New York City: Basic Books, 1986. Pp. 178-208.

美國廣告業歷史
Website: History of Advertising in America


早期的菸草廣告
Early Tobacco Advertisements
6 影片/討論時間:廣告的力量
Screening/Discussion Section: The Power of Advertising
紀錄影片欣賞
Documentary Film Screening
7 關鍵媒體論辯:影響,象徵,管制
Key Media Debates: Influence, Representation, Control
客座講座教授:Mark Lloyd教授
Guest Speaker: Prof. Mark Lloyd
「Jenkis教授前往華盛頓」
"Professor Jenkins Goes to Washington."

Schiller, Herbert著,「後帝國主義時代尚未來臨」收錄於《大眾傳播的批判研究8 》中, (1991年出版): 13-28
Schiller, Herbert. "Not Yet the Post-Imperialist Era." Critical Studies in Mass Communication 8 (1991): 13-28.


Professor Jenkins Goes To Washington


媒體教育運動中的重要辯論
Key Debates in the Media Literacy Movement


孩子與營利主義:新美國夢中心
Kids and Commercialism: Center for a New American Dream


美國有色人種促進協會音樂/電影獎
NAACP Image Awards


全美亞裔美國人電影大眾傳播協會
National Asian American Telecommunications Association


婦女媒體觀察國際組織
National Organization For Women Mediawatch


同性戀者反詆毀聯盟媒體觀察
Glaad Media Watch
II. 比較媒體
Comparative Media Over Time
8 比較口頭與印刷文化:不同的說故事形式
Comparing Oral and Print Cultures: Different Forms of Storytelling
Eisenstein, Elizabeth著, 「印刷文化的特色」,收錄於《早期近代歐洲的印刷革命》New York: Cambridge University Press, 1984年出版. Pp. 42-91
Eisenstein, Elizabeth. "Some Features of Print Culture." In Printing Revolution in Early Modern Europe. New York: Cambridge University Press, 1984. Pp. 42-91.

Radway, Janice著, "Interpretive Communities and Variable Literacies: The Functions of Romance Reading."收錄於” Daedalus, Journal of the American Academy of Arts and Sciences 113, no. 3 (Summer 1974年出版)” 再版 in Jessica Munns and Gita Rajan. A Cultural Studies Reader: History, Theory, Practice. London: Longman (1995): 334-350.
Radway, Janice. "Interpretive Communities and Variable Literacies: The Functions of Romance Reading." In Daedalus, Journal of the American Academy of Arts and Sciences 113, no. 3 (Summer 1974). Reprinted in Jessica Munns and Gita Rajan. A Cultural Studies Reader: History, Theory, Practice. London: Longman (1995): 334-350.
9 書寫傳播:新聞界:技術設備,力量與影響
Written Media: The Press: Technology, Power and Influence
Hall, Stuart等人合著, 「The Social Production of News」,收錄於《從讀者角度研究媒體》第二版, Paul Marris, and Sue Thornham編輯, New York City: NYU Press, 1999年出版. Pp. 646-652.
Hall, Stuart, et al. "The Social Production of News." In Media Studies: A Reader. 2nd. ed. Edited by Paul Marris, and Sue Thornham. New York City: NYU Press, 1999. Pp. 646-652.

Habermas, Jurge著, "The Public Sphere: An Encyclopedia Article." 收錄於 Critical Theory and Society: A Reader. Stephen E. Bronner, and Douglas Kellner編輯. New York: Routledge, 1989年出版. Pp.136-142.
Habermas, Jurgen. "The Public Sphere: An Encyclopedia Article." In Critical Theory and Society: A Reader. Edited by Stephen E. Bronner, and Douglas Kellner. New York: Routledge, 1989. Pp. 136-142.

McChesney, Robert W著, 「新聞學,民主國家,…與階級鬥爭」、 Monthly Review 52, no. 6 (November 2000): 1-15
McChesney, Robert W. "Journalism, Democracy, ... and Class Struggle." Monthly Review 52, no. 6 (November 2000): 1-15.

影片/討論時間: 書寫傳播:新聞界:技術設備,權力與影響:資訊呈現時的架構與成見
Screening/Discussion Section: Written Media: The Press: Frameworks and Biases in Presenting Information
紀錄片欣賞
Documentary Film Screening

「新聞、民主•••與階級掙扎」
"Journalism, Democracy, ... and Class Struggle"
10-11 十九世紀末美國娛樂文化的興起與二十世紀初美國近代大眾傳媒的成長
The Rise of Entertainment Culture in Late 19th Century America and the Growth of Modern Mass Media in Early 20th Century America
Lipsitz, George著, "This Ain't No Sideshow." 收錄於 Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press, 1990年出版. Pp. 3-12.
Lipsitz, George. "This Ain't No Sideshow." In Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press, 1990. Pp. 3-12.

Singer, Ben著, "Modernity, Hyperstimulus and the Rise of Popular Sensationalism." 收錄於 Cinema and the Invention of Modern Life. Leo Charney, and Vanessa R. Schwartz編輯. Berkeley: University of California Press, 1995年出版. Pp. 72-99.
Singer, Ben. "Modernity, Hyperstimulus and the Rise of Popular Sensationalism." In Cinema and the Invention of Modern Life. Edited by Leo Charney, and Vanessa R. Schwartz. Berkeley: University of California Press, 1995. Pp. 72-99.

Gunning, Tom著, "An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator." 收錄於 Viewing Positions: Ways of Seeing Film. Linda Williams編輯. New Brunswick: Rutgers University Press, 1995年出版. Pp. 114-133.
Gunning, Tom. "An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator." In Viewing Positions: Ways of Seeing Film. Edited by Linda Williams. New Brunswick: Rutgers University Press, 1995. Pp. 114-133.
12 影片與討論時間:近代大眾傳媒的興起:美國早期默片
Screening/Discussion Section: The Rise of Modern Mass Media: Early Silent Film in the U.S.
13 紀錄的種類:攝影和影片
The Documentary Mode: Photography and Film
媒體和社會改革
Media and Social Reform
Benjamin, Walter著, “機械複製時代的藝術作品“, 收錄於“Illuminations“, Orlando: Harcourt Brace, 1969年出版. Pp. 217-251
Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." In Illuminations. Orlando: Harcourt Brace, 1969. Pp. 217-251.

Sontag, Susan著, “論攝影”(摘錄)
Sontag, Susan. On Photography. (Excerpt)

Lewis Hine 與 Jacob Riis的照片選集
Selected Photographs of Lewis Hine and Jacob Riis.

Sontag, Susan, “論攝影”(摘錄)
Susan Sontag, On Photography-excerpt


Lewis Hine攝影集
Photographs of Lewis Hine


Jacob Riis攝影集
Photographs of Jacob Riis


美國回憶錄攝影與文物展
Website: American Memory Collection Photos And Prints
14 明星夢工廠 (明星制度):源自於默片時期
The Star System: Origins in the Silent Era
Dyer, Richard著, Stars (摘錄)
Dyer, Richard. Stars. (Excerpt)

Sklar, Robert著, “電影創造美國” (摘錄)
Sklar, Robert. Movie-Made America. (Excerpt)
15 銀幕文化:電影和音樂
Screen Culture: Movies and Music
Budd, Michael著, “德國電影工業與卡里加力的拍攝過程”, 收錄於”卡里加力博士的小屋”中, Mike Budd編輯. New Brunswick: Rutgers University Press, 1990年出版. Pp. 8-25
Budd, Michael. "The German Film Industry and the Making of Caligari." In The Cabinet of Dr. Caligari. Edited by Mike Budd. New Brunswick: Rutgers University Press, 1990. Pp. 8-25.

Marks, Martin著, "Music and the Silent Film." 收錄於 “The Oxford History of World Cinema”,Geoffrey Nowell-Smith編輯, New York: Oxford University Press, 1996年出版. Pp. 183-192
Marks, Martin. "Music and the Silent Film." In The Oxford History of World Cinema. Edited by Geoffrey Nowell-Smith. New York: Oxford University Press, 1996. Pp. 183-192.

Gorbman, Claudia著, "Why Music? The Sound Film and Its Spectator.", 收錄於”Unheard Melodies: Narrative Film Music”, Bloomington: Indiana University, 1987年出版. Pp. 53-69.
Gorbman, Claudia. "Why Music? The Sound Film and Its Spectator." In Unheard Melodies: Narrative Film Music. Bloomington: Indiana University, 1987. Pp. 53-69.

Copland, Aaron著, 「電影音樂」 , 收錄於《怎麼欣賞音樂》, New York: McGraw-Hill. Pp. 47-152
Copland, Aaron. "Film Music." In What To Listen For in Music. New York: McGraw-Hill. Pp. 47-152.
16 影片與討論時間: 卡里加力博士的小屋 (鋼琴伴奏與討論: Martin Marks教授)
Screening/Discussion Section: The Cabinet of Dr. Caligari (Piano Accompaniment and Discussion: Prof. Martin Marks)
17 音樂類型與聽眾:透過媒體來敘述故事:音樂劇與驚憟片
Sound Genres And Audiences: Storytelling Across Media: Melodrama and Horror
18 社會問題電影: 透過媒體敘述故事
The Social Problem Movie: Storytelling Across Media
視聽/討論課程:影片欣賞:人體入侵者 (1956年)(朱註:本片曾經重拍多次,某些分析者曾認為這代表的是當代麥卡錫主義所帶來的人人自危,彼此不信任的狀態描寫。)
Lab/Discussion Section: Screening: Invasion of the Body Snatchers (1956).
19 電影與道德意象
Filmic and Ethnic Images
選集, Unspeakable Images: Ethnicity and the American Cinema. Lester Friedman編輯. Chicago: University of Illinois Press, 1991年出版.
Selections, Unspeakable Images: Ethnicity and the American Cinema. Edited by Lester Friedman. Chicago: University of Illinois Press, 1991.
20 透過媒體敘述故事: 電影與殖民主義
Storytelling Across Media: Film and Colonialism
Andrew, Dudley著, "Adaptation." 收錄於Concepts in Film Theory. New York: Oxford, 1984年出版. Pp.96-106
Andrew, Dudley. "Adaptation." In Concepts in Film Theory. New York: Oxford, 1984. Pp.96-106.

Kipling, Rudyard著, 僭王記
Kipling, Rudyard. "The Man Who Would Be King."

講座: Stephen Brophy
Lecture: Stephen Brophy

視聽/影片/討論課程: 大戰巴墟卡
Lab/Screening/Discussion Section: The Man Who Would Be King.

僭王記(電子書)
The Man Who Would be King
21 廣播: 無線電與電視: 公眾利益, 公眾娛樂和商業性規則
Broadcasting: Radio and Television: The Public Interest, Public Entertainment and the Commercial Imperative
論文:電視帶來的毛病
The Trouble With Television
22 電視成為輿論抒發的管道: 電視評論
TV as Consensus Narrative: Critiques of TV
Fiske, John著, “Bardic Television”, 收錄於”解讀電視”, London and New York: Methuen, 1978. Pp. 85-100.
Fiske, John. "Bardic Television." In Reading Television. London and New York: Methuen, 1978. Pp. 85-100.

Thorburn, David著, “電視作為美學之媒介”, “大眾傳播學批判研究”, (1987年): 167-173
Thorburn, David. "Television As an Aesthetic Medium." Critical Studies in Mass Communication 4 (1987): 167-173.

———. ”電視是否已成為一種特殊的藝術型式?”, The New York Times (14 August 1977)
———. "Is TV Acting a Distinctive Art Form?" The New York Times (14 August 1977).

Arnheim, Rudolf著, “A Forecast of Television”, 收錄於”電影藝術”, Berkeley: University of California Press. Pp. 188-198
Arnheim, Rudolf. "A Forecast of Television." In Film as Art. Berkeley: University of California Press. Pp. 188-198.

Williams, Raymond著, "Programming: Distribution and Flow.", 收錄於”電視與文化型式”, Hanover: Wesleyan University Press, 1993年 (rpt: 1976). Pp. 72-112
Williams, Raymond. "Programming: Distribution and Flow." In Television and Cultural Form. Hanover: Wesleyan University Press, 1993 (rpt: 1976). Pp. 72-112.

Uricchio, William作, "The Trouble With Television, 收錄於Screening the Past: An International Electronic Journal of Visual Media and History 4 (1998).
Uricchio, William. "The Trouble With Television." In Screening the Past: An International Electronic Journal of Visual Media and History 4 (1998).

Grey, Herman著, "The Politics of Representation in Network Television." 收錄於Watching Race: Television and the Struggle for 'Blackness'. Minneapolis: University of Minnesota Press, 1995年出版. Pp. 70-92.
Grey, Herman. "The Politics of Representation in Network Television." In Watching Race: Television and the Struggle for 'Blackness'. Minneapolis: University of Minnesota Press, 1995. Pp. 70-92.

影片/討論課程: 第一集, “六呎風雲” (HBO 2001)
Screening/Discussion Section: Episode 1, Six Feet Under (HBO 2001).
"1961年", “你的生命,我的決定” (HBO 2000)
"1961", If These Walls Could Talk 2 (HBO 2000).
23-24 有線電視與獨立製片
Cable TV and Independent Film
Wyatt, Justin著, "From Roadshowing to Saturation Release: Majors, Independents and Marketing/Distribution Innovations.", 收錄於”新美國電影”. Jon Lewis編輯. Durham, N.C.: Duke University Press, 1998年出版. Pp. 64-86.
Wyatt, Justin. "From Roadshowing to Saturation Release: Majors, Independents and Marketing/Distribution Innovations." In The New American Cinema. Edited by Jon Lewis. Durham, N.C.: Duke University Press, 1998. Pp. 64-86.

Lewis, Jon著, "Money Matters: Hollywood in the Corporate Era."收錄於”新美國電影”. Pp. 87-121.
Lewis, Jon. "Money Matters: Hollywood in the Corporate Era." In The New American Cinema. Pp. 87-121.

課外補充: HBO Online
Supplementary: Hbo Online


課外補充: 獨立電視及電影攝製者協會
Supplementary: Association Of Independent Video And Filmmakers


課外補充: 日舞協會
Supplementary: Sundance Institute


課外補充: Sundance Channel
Supplementary: Sundance Channel


課外補充: Boston Film And Video Foundation
Supplementary: Boston Film And Video Foundation
25-26 全球化與傳媒文化
Globalization and Media Culture

Condry, Ian著, "Japanese Hip-Hop and the Globalization of Popular Culture." 收錄於”都市生活”. G. Gmelch, and W. Zenner編輯. Prospect Heights, IL: Waveland Press, 2001年出版.
Condry, Ian. "Japanese Hip-Hop and the Globalization of Popular Culture." In Urban Life. Edited by G. Gmelch, and W. Zenner. Prospect Heights, IL: Waveland Press, 2001.

Appadurai, Arjun著, "Disjuncture and Difference in the Global Economy." 收錄於”Modernity at Large: The Cultural Dimensions of Globalization”. Minneapolis: University of Minnesota Press, 1996年出版. Pp. 27-47.
Appadurai, Arjun. "Disjuncture and Difference in the Global Economy." In Modernity at Large: The Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996. Pp. 27-47.

影片/討論課程: 雨季的婚禮 (2001年)
Screening/Discussion Section: Monsoon Wedding (2001).

27-28 數位革命的模式
Models of The Digital Revolution

Murray, Janet著, “全息成像台上的哈姆雷特”, New York: Free Press, 1997年出版. Pp. 273-283
Murray, Janet. Hamlet On the Holodeck. New York: Free Press, 1997. Pp. 273-283.

Gilder, George著,”電視之後的生活”, New: Norton, 1994年出版. Pp. 35-49.
Gilder, George. Life After Television. New: Norton, 1994. Pp. 35-49.

Katz, John著, "The Birth of a Digital Nation." 收錄於Media Rants: Postpolitics in the Digital Nation. San Francisco: HardWired, 1997年出版. Pp. 50-58.
Katz, John. "The Birth of a Digital Nation." In Media Rants: Postpolitics in the Digital Nation. San Francisco: HardWired, 1997. Pp. 50-58.

Barlow, John Perry著, “電腦空間獨立宣言”
Barlow, John Perry. "The Declaration of Independence in Cyberspace."

Landow, George著, "Reconfiguring Narrative." 收錄於 “超文本”, Baltimore: John Hopkins, 1992年出版.
Landow, George. "Reconfiguring Narrative." In Hypertext. Baltimore: John Hopkins, 1992.

Hodges, M., and R. Sasnett著, "New Views in Education." 收錄於 Multimedia Computing: Case Studies from the MIT Project Athena. Reading, Ma. Addison-Wesley, 1993年出版. Pp. 29-37.
Hodges, M., and R. Sasnett. "New Views in Education." In Multimedia Computing: Case Studies from the MIT Project Athena. Reading, Ma. Addison-Wesley, 1993. Pp. 29-37.

Murray, Janet著, "Restructuring Space, Time, Story and Text in Advanced Multimedia Environments." 收錄於 Sociomedia: Multimedia, Hypermedia and the Social Construction of Knowledge. Cambridge: MIT Press, 1992年出版. Pp. 319-345.
Murray, Janet. "Restructuring Space, Time, Story and Text in Advanced Multimedia Environments." In Sociomedia: Multimedia, Hypermedia and the Social Construction of Knowledge. Cambridge: MIT Press, 1992. Pp. 319-345.

Schank, R., M. Jona著, "Empowering the Student: New Perspectives on the Design of Teaching Systems." 收錄於Journal of the Learning Sciences (1991年1月號): 7-35.
Schank, R., M. Jona. "Empowering the Student: New Perspectives on the Design of Teaching Systems." Journal of the Learning Sciences (January 1991): 7-35.

媒體與9/11
The Media and 9/11


Lecture27比較媒體研究線上資料
Links To Lecture 27 Presentations


週一視聽課:小組/討論課程: 專門小組: 數位科技的教育運用
Monday Lab: Panel/Discussion Section: Panel: Educational Applications of Digital Technology
演講者: Peter Donaldson, Kurt Fendt, Edward Barrett, Wyn Kelley教授
Speakers: Profs. Peter Donaldson, Kurt Fendt, Edward Barrett, Wyn Kelley

Lecture27比較媒體研究線上資料
Links To Lecture 27 Presentations

29-30 當代議題: 數位時代的媒體權力與媒體整合匯流
Contemporary Issues: Media Convergence and Power in the Digital Age
閱聽人是生產者也是也是接收者
Audiences as Producers and Receivers
McChesney, Robert著, "Oligopoly: The Big Media Game Has Fewer and Fewer Players." The Progressive. (1999年11月): 1, 20-24.
McChesney, Robert. "Oligopoly: The Big Media Game Has Fewer and Fewer Players." The Progressive. (November 1999): 1, 20-24.

Jenkins, Henry著, "Welcome to Bisexuality, Captain Kirk: Slash and the Fan-Writing Community." 收錄於 Textual Poachers: Television Fan and Participatory Culture. New York: Routledge, 1995年出版. Pp. 237-265.
Jenkins, Henry. "Welcome to Bisexuality, Captain Kirk: Slash and the Fan-Writing Community." In Textual Poachers: Television Fan and Participatory Culture. New York: Routledge, 1995. Pp. 237-265.

———. "Out of the Closet and Into the Universe: Queers and Star Trek." 收錄於 Science Fiction Audiences. John Tulloch, 與 Henry Jenkins編輯. New York: Routledge, 1995年出版. Pp. 237-265.
———. "Out of the Closet and Into the Universe: Queers and Star Trek." In Science Fiction Audiences. Edited by John Tulloch, and Henry Jenkins. New York: Routledge, 1995. Pp. 237-265.
31-32 討論時間: 加長時間 7-10
Discussion Section: Extended section 7-10
33 期末(本課程最後上課日)
Last Day Of Class

 
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