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螢幕上的莎士比亞:一份包含注釋的核對清單 (PDF)
Shakespeare on Screen: An Annotated Checklist (PDF)

電影和閱讀(
PDF)
Films & Readings (
PDF)




《仲夏夜之夢》
MIDSUMMER NIGHT'S DREAM

主要影片
Primary Films

麥克斯•萊茵哈特/ William Dieterle (1935),家用錄放影機播放系統,雷射影碟
Max Reinhardt/William Dieterle (1935). VHS, laserdisc
彼得•霍,(1969),家用錄放影機播放系統
Peter Hall, (1969). VHS
邁克爾•霍夫曼(1969),家用錄放影機播放系統,雷射影碟,數位化視頻光碟
Michael Hoffman (1999). VHS,DVD

相關影片
Related Films

彼得•韋爾, 《春風化雨》(1989)譯者註:(附上另一個參考網站
Peter Weir, Dead Poets' Society (1989)
亞德堮式E諾伯, 《仲夏夜之夢》(1996)
Adrian Noble, Midsummer Night's Dream (1996)
Christine Edzard, 《孩子們的仲夏夜之夢》(2001)
Christine Edzard, Children's Midsummer Night's Dream (2001)

評論
Criticism

彼得•S•唐納森,〈兩種類別:Peter Hall的《仲夏夜之夢》堛滷B姻和現代主義〉,考特尼•萊曼和莉薩•斯塔克思編輯,即將出版的《蹣跚的莎士比亞》手稿。
Peter S. Donaldson, "Two of Both Kinds: Marriage and Modernism in Peter Hall's A Midsummer Night's Dream" MS, forthcoming in Reel Shakespeare eds. Courtney Lehmann and Lisa Starks.

*諾思羅普•弗賴伊,〈喜劇的辯論〉English Institute Essays,1948(紐約:哥倫比亞大學出版社,1949),58-73頁,莎士比亞代表作:《現代評論散文》(紐約:牛津大學出版社,1967[1957]),80-89頁
*Northrop Frye, " The Argument of Comedy" English Institute Essays, 1948 (New York: Columbia University Press, 1949), pp. 58-73; repr. in Shakespeare: Modern Essays in Criticism (New York: Oxford University Press, 1967 [1957]), pp. 80-89.

沃納•哈比希特,〈莎士比亞和德國的想像力〉,希瑟•克爾、羅賓•伊頓、馬奇•米頓編著。莎士比亞:世界觀(Newark,DE,1996),87-101頁
Werner Habicht, "Shakespeare and the German Imagination," in Heather Kerr, Robin Eaden, Madge Mitton, eds., Shakespeare: World Views (Newark, DE, 1996), pp. 87-101.

黛安娜•哈理斯,〈女主角和驢子:霍夫曼對《仲夏夜之夢》媞q劇的使用〉手稿
Diana Harris, "The Diva and the Donkey: Hoffman's Use of Opera in A Midsummer Night's Dream, MS.

拉塞爾•傑克遜,〈Reinhardt-Dieterle夢境的攝影劇本:與亞馬遜人的戰爭,Bottom的妻子,和其他錯過的「場景」〉《莎士比亞公報》16/4(秋季號,1998),19-41頁
Russell Jackson, "A Shooting Script for the Reinhardt-Dieterle Dream: the War with the Amazons, Bottom's Wife, and other Missing 'Scenes,'" Shakespeare Bulletin 16/4 (Fall, 1998), 19-41.

*菲利普•C•麥圭爾,《無言的方言》中的〈希波勒塔的沈默和詩人的筆〉(柏克萊,加州大學出版社,1988),1-18頁
*Philip C. McGuire, :"Hippolyta's Silence and the Poet's Pen," in Speechless Dialect (Berkeley: University of California Press, 1988), pp. 1-18.

路易斯•蒙特羅斯,〈《《仲夏夜之夢》和伊麗莎白時代文化幻想的形成:性,權利,形態〉,〈文藝復興的重述〉《早期現代歐洲的性別差異的論述》,瑪格麗特•弗格森, Maureen Quilligan 和南茜•維克斯編著。芝加哥和倫敦:芝加哥大學出版社,1986,65-87頁。
Louis Montrose, "A Midsummer Night's Dream and the Shaping Fatasies of Elizabethan Culture: Gender, Power, Form," in "Rewriting the Renaissance" The Discourses of Sexual Difference in Early Modern Europe, ed. Margaret Ferguson, Maureen Quilligan and Nancy Vickers. Chicago and London: The University of Chicago Press, 1986, pp. 65-87.

羅伯特•維爾森,<《《月光下的病》:Reinhardt的《《仲夏夜之夢》和音樂的異類喜劇》>,《流行電影期刊》第五期,1976年,185-197頁
Robert Willson, "'Ill met by moonlight': Reinhardt's A Midsummer Night's Dream and Musical Screwball Comedy," Journal of Popular Film 5 (1976) 185-97.

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《亨利四世,第一卷和第二卷》;《亨利五世》
HENRY IV, PTS. 1 AND 2; HENRY V

主要影片
Primary Films

勞倫斯•奧列弗,《亨利五世》(1944),家用錄放影機播放系統,雷射影碟,數位化視頻光碟
Laurence Olivier, Henry V (1944). VHS, laserdisc, DVD
Kenneth Branagh,《亨利五世》(1989), 家用錄放影機播放系統,雷射影碟,數位化視頻光碟
Kenneth Branagh, Henry V (1989). VHS, laserdisc, DVD
格斯•范•桑特,《男人的一半還是男人》(1991),家用錄放影機播放系統,雷射影碟
Gus Van Sant, My Own Private Idaho (1991). VHS, laserdisc

相關影片
Related Films

大衛•賈爾斯,《亨利四世,第一卷》《亨利四世,第二卷》《亨利五世》[莎士比亞戲劇,英國廣播公司電視台](1979)
David Giles, Henry IV, Pt. 1; Henry IV, Pt. 2; Henry V [The Shakespeare plays, BBC TV]. (1979)
奧森•威爾斯:《午夜鐘聲》(1966)家用錄放影機播放系統
Orson Welles: Chimes at Midnight (1966). VHS

評論
Criticism

*達德利•安德魯,《藝術氣息堛犒q影》第八章:<現實主義,修辭學和《亨利五世》的歷史畫>,普林斯頓:普林斯頓大學出版社,1984
*Dudley Andrew, Film in the Aura of Art, ch. 8: "Realism, Rheotric and the Painting of History in Henry V (Princeton: Princeton University Press, 1984).

Samuel Crowl,〈漫長的告別,威爾斯和法斯塔夫〉刊於《莎士比亞季刊》第31期,1980,369-380頁;Crowl 再版,<莎士比亞觀察>刊於《舞臺和銀幕上表演的研究》(雅典,俄亥俄州,俄亥俄大學出版社,1992),35-50頁
Samuel Crowl, "The Long Goodbye, Welles and Falstaff," Shakespeare Quarterly. 31 (1980), 369-80; repr. in Crowl, Shakespeare Observed" Studies in Performance on Stage and Screen (Athens, OH: Ohio University Press, 1992), pp. 35-50.

*彼得•S•唐納森,《來自婦女的聲明,在勞倫斯•奧列弗的《亨利五世》堛漫囮O和象徵》刊於《莎士比亞電影/莎士比亞的電影導演》(波士頓,昂溫和海曼, 1990)1-30頁
*Peter S. Donaldson, 'Claiming from the Female: Gender and Representation in Laurence Olivier's Henry V" in Shakespearean Films/Shakespearean Directors (Boston: Unwin and Hyman, 1990) pp. 1-30.

斯蒂芬•J•格林布拉特,〈看不見的子彈〉第二章刊於《莎士比亞的談判》第二章(柏克萊,加州大學出版社,1988),第二章,21-65頁
Stephen J. Greenblatt, "Invisible Bullets," ch. 2. in Shakespearean Negotiations (Berkeley: University of California press, 1988), ch. 2, pp. 21-65.

拉塞爾•傑克遜,〈兩部亨利五世的電影:結構和故事〉,《Astraea選集第四號:在戲劇和其他插入物內的演出》。《英國文藝復興的戲劇》(1550-1642)(在蒙彼利埃舉行的國際會議公報),22-25 Novernbre [原文如此] (譯者註:sic置括弧中,表示前面所引用文字雖有錯誤或疑問,卻是原文),1990, Francois Laroque編輯(蒙彼利埃:保羅-瓦雷利-蒙彼利埃第三大學:學習和伊麗莎白時代研究中心,1991?)181-197頁
Russell Jackson, "Two Films of Henry V: Frames and Stories," Collection Astraea, No.4:The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-1642) (Proceedings of the International Conference held in Montpelier, 22-25 Novembre [sic], 1990,ed. Francois Laroque (Montpelier: Universite Paul-Valery-Montpelier III: Centre d'Etudes et de Recherches Elisabethaines, 1991?) pp. 181-197.

布堜_特•蓋勒特•萊昂斯編註,《午夜鐘聲》(新澤西州新伯倫瑞克和倫敦,1988)
Bridget Gellert Lyons, ed., Chimes at Midnight (New Brunswick NJ and London, 1988).

肯尼斯•S•羅思韋爾,《銀幕上的莎士比亞的歷史:電影和電視的世紀》(劍橋:劍橋大學出版社,1999),84-94頁﹝論午夜鐘聲一﹞
Kenneth S. Rothwell, A History of Shakespeare on Screen: A Century of Film and Television Cambridge: Cambridge University Press, 1999, pp. 84-94. [On Chimes at MidnightI].

蘇珊•懷斯曼,〈家庭汽車旅館:在<男人的一半還是男人>堛@華莎士比亞〉琳達•E•布斯和理查德•伯特編輯,《莎士比亞電影:在電影,電視和錄影上推廣戲劇》(紐約和倫敦:勞特利奇,1997),225-239頁
Susan Wiseman, "The Family Tree Motel: Subliming Shakespeare in My Own Prvate Idaho, in Lynda E. Boose and Richard Burt, eds., Shakespeare the Movie: Popularizing the plays on Film, TV and Video (New York and London: Routledge, 1997), pp. 225-239.

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《馴悍記》
TAMING OF THE SHREW

主要影片
Primary Films

Franco Zeffirelli,《馴悍記》(1967),家用錄放影機播放系統,雷射影碟,數位化視頻光碟
Franco Zeffirelli, Taming of the Shrew (1967), VHS, laserdisc, DVD
Gil Junger,《恨你的十個理由》,家用錄奉影機播放系統,數位化視頻光碟
Gil Junger, 10 Things I Hate About You (1999), VHS, DVD

相關影片
Related Films

薩姆•福勒,《馴悍記》(1929)
Sam Fuller, Taming of the Shrew (1929)
Amy Heckerling,《不解之謎》(1999)
Amy Heckerling, Clueless (1999)

評論
Criticism

*伯特,理查德,〈編後記;在90年代後期我恨Girlene Shakesploitation Flicks的十個理由,或者是在莎士比亞盛行時沒有如此快速的時期〉,由萊曼,考特尼和莉薩•S•斯塔克思編輯,《壯觀的莎士比亞:批判性的理論和受歡迎的電影》(麥迪遜,新澤西州:菲利迪更生大學出版社和倫敦:聯合大學出版社,2002),205-232頁
*Burt, Richard, "Afterword: Te(e)n Things I Hate about Girlene Shakesploitation Flicks in the Late 1990s, or Not-So-Fast Times at Shakespeare High," in Lehmann, Courtney, and Lisa S. Starks, eds., Spectacular Shakespeare: Critical Theory and Popular Cinema (Madison, N.J.: Fairleigh Dickinson University Press and London: Associated University Presses, 2002). pp. 205-232.

巴巴拉•霍奇登,〈Katherina邊界;日常生活的結構扮演〉,由羅伯特•肖內西編輯,《電影中的莎士比亞:當代評論性的散文》(Houndsmills, 貝辛斯托克, Hamphire:麥克米蘭和倫敦;麥克米蘭和紐約:聖馬丁出版社,1998),156-172頁
Barbara Hodgdon, "Katherina Bound; or, Play(K)ating the Strictures of Everyday Life," in Robert Shaughnessy, ed., Shakespeare on Film: Contmeporary Critical Essays (Houndsmills, Basingstoke, Hamphire: MacMillan and London: Macmillan and New York: St. Martin's Press, 1998), pp. 156-172.

琳達•布斯,〈訓斥新娘並且約束訓斥:馴服婦女中難控制的成員〉,莎士比亞季刊第42.2期(夏季號,1991)179-213頁
Lynda Boose, "Scolding Brides and Bridling Scolds: Taming the Woman's Unruly member," Shakespeare Quarterly 42.2 (Summer, 1991) 179-213.

*戴安娜•E•亨德森,《時代的悍婦》,由理查德•伯特和琳達•E•布斯編輯,《莎士比亞電影:在電影,電視和錄影上推廣戲劇》(紐約和倫敦:勞特利奇,1997),148-168頁
*Diana E. Henderson, "A Shrew for the Times," in Lynda E. Boose and Richard Burt, eds., Shakespeare the Movie: Popularizing the plays on Film, TV and Video (New York and London: Routledge, 1997), pp. 148-168.

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《羅密歐和茱麗葉》
ROMEO AND JULIET

主要影片
Primary Films

Franco Zeffirelli,《羅密歐和茱麗葉》(1968)
Franco Zeffirelli, Romeo and Juliet (1968)
Baz Luhrmann,《威廉•莎士比亞的羅密歐和茱麗葉》(1996)
Baz Luhrmann, William Shakespeare's Romeo + Juliet (1996)
約翰•梅登,《莎翁情史》(1998)
John Madden, Shakespeare in Love (1998)

相關影片
Related Films

喬治•丘克,《羅密歐和茱麗葉》(1936)
George Cukor, Romeo and Juliet (1936)
Renato Casterllani,《羅密歐和茱麗葉》(1954)
Renato Castellani, Romeo and Juliet (1954)
羅伯特•懷斯,《西城故事》(1961)
Robert Wise, West Side Story (1961)

評論
Criticism

Katherine Dalsimer,《女性的青春期》(紐哈芬州和倫敦:耶魯大學出版社,1986)
Katherine Dalsimer, Female Adolescence (New Haven and London: Yale University Press, 1986).

Peter S. Donaldson,<「以口代手」:在Zeffirelli的《羅密歐和茱麗葉》中的男性的壓抑,性慾和失落>,《莎士比亞電影/莎士比亞的電影導演》 (波士頓:昂溫和海曼,1990) ,145-188頁
Peter S. Donaldson, "'Let Lips do what hands do': Male Bonding, Eros and Loss in Zeffirelli's Romeo and Juliet," in Shakespearean Films/Shakespearean Directors (Boston: Unwin and Hyman, 1990), pp. 145-188.

《〈在維羅納的華城中〉:《羅密歐和茱麗葉》中的媒體、景象和表演》,由理查德•伯特編輯,《大眾媒體後的莎士比亞》(紐約:帕爾格雷夫,2002),59-82頁
* _______, “’In Fair Verona:’ Media, Spectacle and Performance in Romeo + Juliet” in Richard Burt, ed. Shakespeare after Mass Media. (New York: Palgrave, 2002), 59-82.

霍奇登,巴巴拉,1999,〈威廉•莎士比亞的《羅密歐和茱麗葉》:美國的一切都是好的?〉《莎士比亞調查》52,88-98頁
Hodgdon, Barbara. 1999. "William Shakespeare's Romeo + Juliet: Everything's Nice in America?" Shakespeare Survey 52, 88-98.

Courtney Lehmann,〈《莎翁情史》:虛構作者,駕馭驅殼〉,在《壯觀的莎士比亞:批判性的理論和受歡迎的電影》(麥迪遜,新紐澤西:菲利迪更生大學出版社和倫敦:聯合大學出版社,2002),125-148頁
Courtney Lehmann, "Shakespeare in Love: Romancing the Author, Mastering the Body," in Spectacular Shakespeare: Critical Theory and Popular Cinema (Madison, N.J.: Fairleigh Dickinson University Press and London: Associated University Presses, 2002), pp. 125-148.

愛德華•斯諾,〈《羅密歐和茱麗葉》中語言和性別的差異〉,刊於《莎士比亞之<簡單的魔術>:為了向C•L•巴布表示敬意的散文》,由彼得•埃塈J森和Coppelia Kahn編輯,(Newark: 德拉瓦大學出版社,1985),168-192頁
Edward Snow, "Language and Sexual Difference in Romeo and Juliet," in Shakespeare's 'Rough Magic": Essays in Honor of C.L. Barbe, ed. Peter Erickson and Coppelia Kahn. (Newark: University of Delaware Press, 1985), pp. 168-192).

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《哈姆雷特》
HAMLET

主要影片
Primary Films

勞倫斯•奧列弗,《哈姆雷特》(1948)
Laurence Olivier, Hamlet (1948)
Michael Almereyda,《哈姆雷特》(2000)
Michael Almereyda, Hamlet (2000)

相關影片
Related Films

Svend Gade,《哈姆雷特》(1920)
Svend Gade, Hamlet (1920)
約翰•吉爾古德,《哈姆雷特》(1964)[1964年舞臺產「電子影像」版]
John Gielgud, Hamlet (1964) ["electronovision" version of 1964 stage production]
Grigorii Kozintsev,《哈姆雷特》(1964)
Grigorii Kozintsev, Hamlet (1964)
托尼•堿d森,《哈姆雷特》(1969)
Tony Richardson, Hamlet (1969)
Ragnar Lyth,《哈姆雷特》(1982)
Ragnar Lyth, Hamlet (1982)
Franco Zeffirelli,《哈姆雷特》(1990)
Franco Zeffirelli, Hamlet (1990)
Kenneth Branagh,《哈姆雷特》(1996)
Kenneth Branagh, Hamlet (1996)

評論
Criticism

珍妮特•阿德爾曼,〈哈姆雷特和母系的對抗〉,241-282頁,在《哈姆雷特》(波士頓:聖馬丁。1994)
Janet Adelman, "Hamlet and the Confrontation with the Maternal Body," pp. 241-82 in Hamlet (Boston: St. Martin's, 1994).

費利克斯•巴克,《顫抖的身驅》(Ann Arbor: 密西根大學出版社,1995 [1984],《哈姆雷特》內一章
Felix Barker, The Tremulous Private Body (Ann Arbor: University of Michigan Press, 1995 [1984]; ch. On Hamlet.

斯蒂芬•格林布拉特,《煉獄堛澈◣i雷特》(普林斯頓:普林斯頓大學出版社,2001)
Stephen Greenblatt, Hamlet in Purgatory (Princeton: Princeton University press, 2001).

歐內斯特•瓊斯,《哈姆雷特》《奧迪普斯》(倫敦:Victor Gollacz, 1949)
Ernest Jones, Hamlet and Oedipus (London: Victor Gollacz, 1949).

G•威爾遜爵士,〈死亡的使館〉,在《火輪》(倫敦:梅休因, 1930, 1954年再版)
G. Wilson Knight, "The Embassy of Death," in The Wheel of Fire (London: Methuen, 1930, repr. 1954).

考特尼•萊曼,〈幽靈的機器:哈姆雷特電影攝影術的王國〉,《莎士比亞的遺產》第三章(伊薩卡:康乃爾大學出版社,2002),89-129頁
Courtney Lehmann, "The Machine in the Ghost: Hamlet's Cinematographic Kingdom," ch.3 in Shakespeare Remains (Ithaca: Cornell University Press, 2002), pp. 89-129.

Robert Weimann,〈哈姆雷特的執行和權利〉,52-63頁,由唐納德•赫德塈J和布賴恩•雷諾茲編輯,《無階級的莎士比亞:文化首都的侵吞》(紐約:帕爾格雷夫, 2000)
Robert Weimann, "Performance and Authority in Hamlet (1603)," pp. 52-63 in Donald Hedrick and Bryan Reynolds, eds., Shakespeare without Class: Misappropriations of Cultural Capital (New York: Palgrave, 2000).

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《理查三世》
RICHARD III

主要影片
Primary Films

Richard Loncraine,《理查三世》(1996)
Richard Loncraine, Richard III (1996)
Al Pacino,《尋找理查》(1996)
Al Pacino, Looking for Richard (1996)

相關影片
Related Films

勞倫斯•奧列弗,《理查三世》(1953)
Laurence Olivier, Richard III (1953)

評論
Criticism

Herbert Coursen,〈拍攝莎士比亞的歷史:三部理查三世的電影〉,《電影中的莎士比亞的劍橋同伴》拉塞爾•傑克遜編輯(劍橋:Cambridge UP,2000),97-115頁
Herbert Coursen, "Filming Shakespeare's History: Three Films of Richard III," in The Cambridge Companion to Shakespeare on Film, ed Russell Jackson (Cambridge: Cambridge UP, 2000), pp. 97-115.

*彼得•S•唐納森,〈電影和死亡國度:Loncraine的《查德三世》〉》,手稿(即將出版的《莎士比亞季刊》
*Peter S. Donaldson, "Cinema and the Kingdom of Death: Loncraine's Richard III," MS (forthcoming in Shakespeare Quarterly).

巴巴拉•弗媦w曼,《莎士比亞電影歷史上的關鍵時刻;《理查三世》的案例》,刊於《電影中的莎士比亞的劍橋同伴》,由拉塞爾•傑克遜編輯(劍橋:Cambridge UP,2000),65-66
Barbara Freedman, “Critical Junctures in Shakespeare Film History; The Case of Richard III,” in The Cambridge Companion to Shakespeare on Film, ed Russell Jackson (Cambridge: Cambridge UP, 2000), 65-66.

巴巴拉•霍奇登,〈複製理查:雙倍的身體,身體政治〉,《劇院雜誌》50(May, 1998)
Barbara Hodgdon, “Replicating Richard: Body Doubles, Body Politics,” Theatre Journal 50 (May, 1998).

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《血海殲仇記》
TITUS ANDRONICUS

主要影片
Primary Films

Julie Taymor,《聖域復仇》(1999)
Julie Taymor, Titus (1999)

相關影片
Related Films

簡•豪威爾,《血海殲仇記》(1985)
Jane Howell, Titus Andronicus (1985)

評論
Criticism

*理查德•伯特,〈莎士比亞和大屠殺:Julie Taymor的出色之《聖域復仇》〉或者《莎士比亞遇見軍營》,Richard Burt編輯,《大眾傳媒後莎士比亞》(紐約:Palgrave,2002),295-330頁
*Richard Burt, "Shakespeare and the Holocaust: Julie Taymor's Titus is Beautiful, or Shakesploi Meets (the) Camp, in Richard Burt, ed., Shakespeare after Mass Media (New York: Palgrave, 2002). pp. 295-330.

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《李爾王》
KING LEAR

主要影片
Primary Films

邁克爾•埃利奧特,《李爾王》(1984)
Michael Elliott, King Lear (1984)
Jean-Luc Godard,《李爾王》(1987)
Jean-Luc Godard King Lear (1987)

相關影片
Related Films

Grigorii Kozintsey,《李爾王》(1970)
Grigorii Kozintsev, King Lear (1970)
彼得•布魯克,《李爾王》(1971)
Peter Brook, King Lear (1971)
黑澤明,《亂》(1985)
Akira Kurosawa, Ran (1985)

評論
Criticism

托馬斯•克萊頓,<這是應許的結果嗎?國王角色的修正〉,刊於《分裂的王國》中〈莎士比亞《李爾王》的兩個版本〉,Gary Taylor和Michael J. Warren編輯(牛津,1983),121-141頁
Thomas Clayton, "'Is this the promis'd end?' Revision in the Role of the King," in The Division of the Kingdoms" Shakespeares Two Versions of King Lear, eds. Gary Taylor and Michael J. Warren (Oxford, 1983), pp. 121-141.

彼得•S•唐納森,〈宣傳莎士比亞:Jean-Luc Godard的《李爾王》的淵源和文本〉刊於《莎士比亞的電影/莎士比亞的電影導演》(波士頓:Unwin和Hyman, 1990), 189-225頁
Peter S. Donaldson, "Disseminating Shakespeare: Paternity and text in Jean-Luc Godard's King Lear, in Shakespearean Films/Shakespearean Directors (Boston: Unwin and Hyman, 1990), pp. 189-225.

邁克爾•沃倫,《前言,李爾王全集》1608-1623(柏克萊:加州大學出版社,1989)
Michael Warren, "Preface," The Complete King Lear, 1608-1623 (Berkeley : University of California Press, 1989).

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《暴風雨》
THE TEMPEST

主要影片
Primary Films

Paul Mazursky,《暴風雨》(1982)
Paul Mazursky, Tempest (1982)
彼得•格堹ン部A《魔法師的寶典》(1991)
Peter Greenaway, Prospero's Books (1991)

相關影片
Related Films

德萊克•賈曼,《暴風雨》(1979)
Derek Jarman, The Tempest (1979)
弗雷德•M•威爾科克斯,《禁止的行星》(1956)
Fred M. Wilcox, Forbidden Planet (1956)

評論
Criticism

弗朗西斯•巴克和彼得•休姆, 「完全消失的若蟲和收割機」:《暴風雨》中不得要領的上下文》,John Drakakis編輯,《選擇性的莎士比亞著作》,(倫敦和紐約:Methuean, 1985)
Francis Barker and Peter Hume, "'Nymphs and reapers heavily vanish': The Discursive Con-Texts of The Tempest," in John Drakakis, ed., Alternative Shakespeares, London and New York: Methuean, 1985).

保羅•布朗,〈「我承認我的這件事的黑暗」:暴風雨和殖民主義論述〉喬納森•多堬鷅萱M阿蘭•辛菲爾德編輯。《政治莎士比亞:文化唯物主義的新論文》(曼徹斯特:曼徹斯特大學出版社,1985),48-71頁
Paul Brown, "'This thing of darkness I acknowledge mine': The Tempest and the Discourse of Colonialism" in Jonathan Dollimore and Alan Sinfield, eds. Political Shakespeare: new essays in Cultural materialism (Manchester: Manchester University Press, 1985)), pp. 48-71.

道格拉斯•布魯斯特,〈Paul Mazursky《暴風雨》的後現代劇院〉,由馬克•托馬森•巴涅特和Ramona Wary編輯,《世紀末的莎士比亞》(Houndsmills,貝斯新托克,Hamphire:麥克米蘭和倫敦;麥克米蘭和紐約,聖馬丁出版社),26-39頁
Douglas Bruster, "The Postmodern Theater of Paul Mazursky's Tempest," in Mark Thornton Burnett and Ramona Wray, eds., Shakespeare Fin de Siecle (Houndsmills, Basingstoke, Hamphire: MacMillan and London: Macmillan and New York: St, Martin's Press), pp. 26-39.

彼得•S•唐納森,《在機械再生時代的莎士比亞:<魔法師的寶典>中的性別和電子魔術》,由琳達•E•布斯和理查德•伯特編輯,《莎士比亞電影:在電影,電視和錄影上推廣戲劇》(紐約和倫敦,勞特利奇,1997),169-185頁
Peter S. Donaldson, "Shakespeare in the Age of Mechanical Reproduction: Sexual and Electronic Magic in Prospero's Books," in Lynda E. Boose and Richard Burt, eds., Shakespeare the Movie: Popularizing the plays on Film, TV and Video (New York and London: Routledge, 1997), pp. 169-185.

數位化檔案和未知的片段:《暴風雨》和書的結尾;〈後現代文化8.2 (一月,1998)〉。電影中的特殊議題。(線上雜誌:http://muse.jhu.edu/journals/postmodern_culture/http://shea.mit.edu/eob
_____, Digital Archives and Sibylline Fragments: The Tempest and the End of Books," Postmodern Culture 8.2 (Jan., 1998). Special Issue on Film. (Online Journal at http://muse.jhu.edu/journals/postmodern_culture/ also at http://shea.mit.edu/eob .

瑪麗福勒,〈忘卻的Aeneid〉,《美國文學歷史》(夏季號,1992)517-38
Mary Fuller, "Forgetting the Aeneid," American Literary History (Summer, 1992) 517-38.

斯蒂芬•J•格林布拉特,〈學會詛咒:16世紀語言的殖民主義的面向〉,Fredi Chapelli編輯,《美國的第一印象:舊世界中新世界的衝擊》(伯柏克萊:加州大學出版社,1976),561-580頁,斯蒂芬•J•格林布拉特再版,《學會詛咒》(倫敦:勞特利奇, 1990), 16-39頁
Stephen J. Greenblatt, "Learning to Curse: Aspects of Linguistic Colonialism in the 16th Century," in Fredi Chapelli, ed. First images of America: The Impact of the New World in the Old (Berkeley: University of California Press, 1976)pp. 561-580; repr. in Stephen J. Greenblatt, Learning to Curse (London: Routledge, 1990), pp. 16-39.

道格拉斯•拉尼爾,〈淹沒的書:普洛斯彼羅(莎士比亞劇作《暴風雨》中的人物)的書和原文的莎士比亞〉,詹姆•C•布林曼編輯,《莎士比亞,理論和演出》(紐約和倫敦:Routledge,1996),187-209頁
Douglas Lanier, "Drowning the Book: Prospero's Books and the Textual Shakespeare," in James C. Bulman, ed., Shakespeare, Theory and Performance ( New York and London: Routledge, 1996), pp.187-209.

Ottavo Mannoni,《普洛斯彼羅和卡利班:殖民主義的心理學》,tr•帕梅拉(紐約:普雷格,1964 [1950])
Ottavo Mannoni, Prospero and Caliban: The Psychology of Colonialism, tr. Pamela Powesland (New York: Praeger, 1964 [1950]).

奧爾登•T•沃恩和佛吉尼亞梅森布朗,莎士比亞中的的卡利班:《文化歷史》, 劍橋:劍橋大學出版社,1990
Alden T. Vaughan and Virginia Mason Brown, Shakespeare's Caliban: A Cultural history (Cambridge: Cambridge University Press, 1990).

譯者註:附上十部最經典的莎士比亞電影介紹的鏈結




 
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