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本頁翻譯進度

燈號說明

審定:無
翻譯:崔曄(簡介並寄信)
編輯:侯嘉玨(簡介並寄信)


第四課
Session 4

這星期的一些課將由我講述。如果讓我來講課,很可能是重複我對這主題一直思考並且發表的內容。為了使你們明瞭目前我對該問題的想法,我附加了一篇我最近關於龐德和現代主義如何應用翻譯的文章。你也可以自己先閱讀或由我來複述,這樣我們可以更有效地利用時間並且使我們可以更加舒適地投入討論。在研習資料中參考該文章。

I'll lecture for some of this week's class. If I lecture I'll probably repeat what I've been thinking and publishing on the subject. To give you a sense of my current thinking on these issues, I append a recent essay (by me) on Ezra Pound and how modernism uses translation. You might as well read it as to have me repeat it to you-we can use the time more efficiently in this way and can open more comfortably into conversation. See the study materials section for the referenced essay.

第七課
Session 7

這星期的一些課將由我講述。如果讓我來講課,很可能是重複我對這主題一直思考並且發表的內容。為了使你們明了目前我對該問題的想法,我附加了一篇我最近關於查理.卓別林以及現代詩歌如何應用源於電影的意象手法。重點不僅是詩中提到卓別林,還有它們矛盾地從電影美學中得到對文學美學的感知。你也可以自己先閱讀該論題或由我來複述。我要提到的是,這篇文章有點自我反映的意思-它關於麻省理工學院的動態教學,而嚴格來說這篇文章只是一份草案。我很有興趣聽聽它對麻省理工的動態課堂的描述是否反映了你們對其之理解。在研習資料中參考該文章。
I'll lecture for some of this week's class. If I lecture I'll probably repeat what I've been thinking and publishing on the subject. To give you a sense of my current thinking on these issues, I append a recent essay (by me) on Charlie Chaplin and how modernism poetry uses image-techniques derived from film. The point is not only that the poems allude to Chaplin, but that they often derive their own sense of literary aesthetics, paradoxically, from film aesthetics. You might as well read the argument as to have me repeat it to you. I should mention that this essay is a bit self-reflexive-it deals with the dynamic of teaching MIT students-and that it's strictly a draft. I'll be interested to hear if its account of MIT classroom dynamics reflects your own sense of those dynamics. See the study materials section for the referenced essay.

課程單元
1 緒論
Introductions

現代主義的起源
IOrigins of Modernism I

象徵主義者之墨守原文,唯美主義,反映浪子與城市的關係
Symbolist Textuality, Aestheticism, Relation to Image the Flaneur and the City
2 現代主義的起源II
Origins of Modernism II

維多利亞風格的盡頭
The End of Victorianism

倫理與審美
Ethics and Aesthetics

演講與實行
Oratory and the Performative

達爾文與社會變遷
Darwin and Social Change
3 現代主義的起源III
Origins of Modernism: III

第一次世界大戰
World War I

唯理主義論述之末
The End of the Discourse of Rationalism

帝國的瓦解
The Empire Break Down
4 現代主義與東方民族特徵
Modernism and Orientalism

表意文字
The Ideogram

性別與翻譯(「女性化」的亞洲)
Gender and Translation ('Feminizing' Asia)

內庭之戰
The War at Home

佛棱第
F.S. Flint
5 現代意象與雕塑
The Modern Image and Sculpture

早期的威特甘斯汀與意象的地位
Early Wittgenstein and the Status of the Image
6 蒙太奇與電影史
Montage and Film-history

無線電美學
Radio Aesthetics

攝影意象與文學意象
The Photographic Image and the Liteary Image

慾望的寶藏---意象
The Image as Repository of Desire
7

卓別林作為普通人,卓別林作為顛覆者
Chaplin as Everyman, Chaplin as Subversive

現代諷刺與卓別林的柔懦情懷
Modern Irony and Chaplin's Sentimentalilty

「機械」美學
'Machine' Aesthetics

8 自我揭露的心理
The Psychology of Self-revelation

〈普魯佛洛克〉中的時間,變化與意象
Time, Change, and the Image in 'Prufrock'

意義的寶藏---意象
The Image as Repoistory of Meaning
9 〈神話方法〉與歷史
The "Mythic Method" and History

〈荒原〉的研究論文與龐德的編輯
The Working Papers to "The Waste Land", and Ezra Pound's Editing

人類學,距離與諷刺︰〈金枝〉
Anthropology, Distance, and Irony: "The Golden Bough"
10 典故的地位
The Status of Allusion

言語,無言與佛
Speech, Speechlessness, and the Buddha
11 威廉斯︰如〈大災難〉的〈荒原〉
Williams: "Waste Land" as the "Great Catastrophe"

自由韻文與美國俚語
Free Verse and the American Idiom

〈「醫學」美學︰為什麼有「傳染病醫院」?〉
"'Medical' Aesthetics: Why a 'Contagious Hospital'?"
12 詞作為事物
Words as Things

構成主義與客觀主義
Constructionism and Objectivism

性別「凝視」
The Gendered 'Gaze'

高度現代主義的等級劃分
Class Distinctions in High Modernism
13-14 黑人的文藝復興
Harlem Renaissance

爵士,種族與性別
Jazz, Race, and Gender
15 伍爾夫
Woolf

拉姆齊先生與理智的局限︰詩句
Mr. Ramsay and the Limits of Reason: Lines

拉姆齊女士與意識的擴張︰派系
Mrs. Ramsay and the Expansion of Consciousness: Circles
16 伍爾夫(續)
Woolf (cont.)

百合雌雄同花的幻影
Lily's Androgynous Vision
17 葉芝
Yeats

龐德
Pound

史蒂文斯
Stevens

杜爾利特
Doolittle

奧登
Auden

康克斯特
Conquest

阿什伯利
Ashbery

藝術,幻滅與現代主義者的形式
Art, Disillusionment, and Modernist Form

唯美主義作為儀式,作為宗教
Aestheticism as Ritual, as Religion
18 葉芝(續)
Yeats (cont.)

〈航往拜占庭〉︰問題是什麼?[第一、二節]
"Sailing to Byzantium": What's the Problem? [Stanzas 1 and 2]
19 葉芝(續)
Yeats (cont.)

〈航往拜占庭〉︰去那裡尋找決心?[第三、四節]
"Sailing to Byzantium": Where to Look for a Resolution? [Stanzas 3 and 4]
20 葉芝(續)
Yeats (cont.)

史蒂文斯
Stevens

史蒂文斯,重複,語言︰愛默生遇上海德格爾
Stevens, Repetition, and Language: Emerson meets Heidegger
21 史蒂文斯(續)
Stevens (cont.)

錯位的精神性與現代主義者的補償[〈星期天的早晨〉第一、二節]
Displaced Spirituality and Modernrist Compensaion ["Sunday Morning" - Stanzas 1 and 2]
22 史蒂文斯(續)
Stevens (cont.)

〈星期天的早晨〉的譯本
Versions of "Sunday Morning"

先驗主義與意象
Transcendenence and the Image

濟慈與史蒂文斯︰〈星期天的早晨〉的最後一節
Keats and Stevens: The Last Stanza of "Sunday Morning"
23-25 學生口頭報告
Student Presentations

 
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