MIT OpenCourseWare

教學時程

This course has two weekly labs, a one-hour sight-singing lab and a one-hour piano lab, which are not listed within the course calendar.


課程單元 重要日期
1 Ritual Reading of the Syllabus, Pre-test, Overview
2 Keys, Scales, Modes, Intervals

Assignment 1
3 Rhythm and Meter

Triads and Seventh Chords

Assignment 2

Practice Quiz (C Major, a Minor)
4 Procedures of Four-part Writing

Assignment 3

Quiz 1 (G Major, e Minor)
5 Rules for Two-part Counterpoint

Assignment 4
6 Root-position Tonic and Dominant

Assignment 5

Quiz 2 (F Major, d Minor)
7 First-inversion Tonic, Dominant, Leading-tone Triads

Assignment 6

Quiz 3 (D Major, b Minor)
8 Inversions of the Dominant Seventh

Assignment 7
9 Preparing the Dominant, via ^4 in the Bass

Assignment 8

Quiz 4 (B-flat Major, g Minor)
10 The Cadential Six-four

Assignment 9
11 Assignment 10

Quiz 5 (A Major, f-sharp Minor)
12 Assignment 11
13 Midterm Exam (In class)
14 Assignment 12
15 Melodic Figuration

Assignment 13
16 Rhythmic Figuration

Assignment 14

Quiz 6 (E-flat Major, c Minor)
17 Rhythmic Figuration (cont.)

Assignment 15
18 Subdominant and Submediant Triads

Assignment 16

Quiz 7 (E Major, c-sharp Minor)
19 Supertonic and Subdominant Seventh Chords

Quiz 8 (A-flat Major, f Minor)
Draft of final project due
20 Applied Dominants, a.k.a. Secondary Dominants

Assignment 17
21 The Dominant as a Key Area

Assignment 18

Quiz 9 (B Major, g-sharp Minor)
22 Diatonic Modulation (only Modulatory Techniques)

Assignment 19
23 Quiz 10 (D-flat Major, b-flat Minor) Final project due
24 Assignment 20

Evaluations, Summation, Post-test
25 Performances of Final Projects (In class)